PRESIDENT OBAMA
Collage material from the Patient Protection and Affordable Care Act, altered photographs from: Obama & Biden, Oliverier Douliery,  Bloomberg/Getty; State of the Union, Larry Downing/Reuters; Barack & Michelle Dancing, Getty Images; Situation Room, Wikimedia Commons; Obama Law Review via Politico.com; acrylic, and pencil on canvas.  30" h x 30" w. This piece is Finished Edge, ready to hang, and requires no additional framing.

STACEY ABRAMS
Collage material from the New York Times, and altered photographs by Mississippi Today, Tougaloo Commencement Speech; Screenshot from Stacey Abrams commercial; Jessica Mcgowan, Getty Images; Alyssa Pointer, Atlanta Journal Constitution; Brynn Anderson, AP; Diwang Valdez, New York Times; acrylic, and pencil on canvas.  30" h x 30" w. This piece is Finished Edge, ready to hang, and requires no additional framing.

ARTIST STATEMENT


In my studio practice I utilize collage as a formal element. It provides a way of putting down tone or erasing previous marks. There is a randomness in collage; the secondary meaning in the text or image becomes an important part of the finished work. Collage allows me to layer multiple images over the scaffolding of a drawing. I use materials from the subject’s world to create their likeness.  This is a modern take on the Renaissance era trope of illustrating the attributes of the subject with a symbol, for example books to show the subject was educated.  Instead, I use materials and text from the subject’s world to create their likeness. 

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E. Sherman Hayman

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Gwenn Seemel