Artist Statement 

The current direction of my work is primarily photography montage (the technique of producing a new composite whole from fragments of photographs). I've always been a collector at heart, so my photography naturally evolved from concentrating on a single composition in the camera as the end product, to capturing images of anything that intrigues me for later use in a montage. Antique and vintage objects that have had previous lives are elements I collect that eventually nd their way into my work. It's di cult to predict what will be a starting point for a new piece; a landscape with an unusual tree, a mysterious abandoned building, or the haunting eyes peering from a vintage portrait. Once I have a starting point, I begin to bring components together piece by piece digitally in Photoshop until I'm satis ed with the composition. From there, I experiment with multiple lters, tones, colors and textures until the nal piece is as close as possible to the original idea in my mind's eye.


"The true locus of creativity is not the genetic process prior to the work but the work itself as it lives in the experience of the beholder."

- Monroe Beardsley, philosopher of art

Crossing Over | photography montage on fine art paper by Darlene Foster. This image measures 16"h x 20"w, and is framed. Framed Size: 23"h x 27"w.

Metamorphosis | photography montage on fine art paper by Darlene Foster. This image measures 16"h x 20"w, and is framed. Framed Size: 23"h x 27"w.

The Edge of Seventeen | photography montage on fine art paper by Darlene Foster. This image measures 20"h x 16"w, and is framed. Framed Size: 27”h x 23”w.

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Jeff Feeny

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Melissa Frederick